Seimeng Lai University of New South Wales at Canberra Scott Sharpe University of New South Wales at Canberra [Abstract] Pixelated Camouflage The television personality, Richard Hammond, was offered a rare glimpse into the life of a tank operator in an episode of Richard Hammonds’ Crash Course, which featured him training on the U.S. Military’s Abrams Tank. Immediately after his first few simulation training sessions as a tank gunner, Hammond exits the tank simulator and exasperatedly remarks, ‘I… see why you practice it in here …that was really hard!’. In reply, the gunnery sergeant quips ‘Yes, if we would have done that on the [gunnery] range …somebody would have gotten fired… That is why we spend a lot of hours in here’ (Mesirow, 2013). We have here an environment in which habits are learned and relearned. With so-called military precision, simulators enable the learning of occupations to become second nature. Such…
Justin Clemens University of Melbourne Adam Nash RMIT University [Abstract] Everything is Digital Today, everything is digital and the digital is everything. Surely such a totalising, yet reductive, assertion can’t be right, even if we accepted that it had any sense? What about rocks and stones and trees? The great eighteenth-century literary critic Dr Johnson famously responded to Bishop Berkeley’s idealist, ‘immaterialist’ philosophy broached in A Treatise Concerning Human Understanding by kicking a boulder and declaring “I refute it thus!” (Boswell, 238). Such a naturalist rejoinder has found its contemporary avatars in the field of media studies under a variety of names, ranging from Bruno Latour and Actor-Network-Theory [1] to Luciano Floridi’s philosophy of information (Latour, 2007; Floridi, 2014). Despite their manifest, manifold differences, what unites such projects is their commitment to fundamentally naturalistic redescriptions of the complex interactions of trans-human agents. They are directed at displacing ‘the human’ from…
Justin Clemens University of Melbourne Adam Nash RMIT University [Abstract] Everything is Digital Today, everything is digital and the digital is everything. Surely such a totalising, yet reductive, assertion can’t be right, even if we accepted that it had any sense? What about rocks and stones and trees? The great eighteenth-century literary critic Dr Johnson famously responded to Bishop Berkeley’s idealist, ‘immaterialist’ philosophy broached in A Treatise Concerning Human Understanding by kicking a boulder and declaring “I refute it thus!” (Boswell, 238). Such a naturalist rejoinder has found its contemporary avatars in the field of media studies under a variety of names, ranging from Bruno Latour and Actor-Network-Theory [1] to Luciano Floridi’s philosophy of information (Latour, 2007; Floridi, 2014). Despite their manifest, manifold differences, what unites such projects is their commitment to fundamentally naturalistic redescriptions of the complex interactions of trans-human agents. They are directed at displacing ‘the human’ from…