David H. Fleming University of Nottingham Ningbo, China William Brown University of Roehampton, London [Abstract] In like manner a beginner who has learnt a new language always translates it back into his mother tongue, but he has assimilated the spirit of the new language and can freely express himself in it only when he finds…
Troy Innocent Swinburne University of Technology [Abstract] culture arises in the form of play, that it is played from the very beginning. Even in those activities which aim at the immediate satisfaction of vital needs , hunting, for instance, tend, in archaic society, to take on the play-form. Social life is endued with supra-biological forms,…
Torsten Andreasen University of Copenhagen [Abstract] The digital cultural heritage archive appeared in the discourse of cultural heritage around the beginning of the new millennium and did so with certain specific goals, the digital preservation of and accessibility to cultural heritage should serve global tolerance, strengthen regional and national identity and, finally, inspire entrepreneurial creativity…
Justin Clemens University of Melbourne Adam Nash RMIT University [Abstract] Everything is Digital Today, everything is digital and the digital is everything. Surely such a totalising, yet reductive, assertion can’t be right, even if we accepted that it had any sense? What about rocks and stones and trees? The great eighteenth-century literary critic Dr Johnson…
Justin Clemens University of Melbourne Adam Nash RMIT University [Abstract] Everything is Digital Today, everything is digital and the digital is everything. Surely such a totalising, yet reductive, assertion can’t be right, even if we accepted that it had any sense? What about rocks and stones and trees? The great eighteenth-century literary critic Dr Johnson…
Craig Norris University of Tasmania [Abstract] Introduction As various scholars (Jenkins, 2006a; Ito, 2007; Gray, 2010) have shown, fans can derive creative and emotional pleasure out of the ‘world building’ occurring in complex media franchises like Pirates of the Caribbean (Jenkins, 2007), and Star Wars (Brooker, 2002). Media industries are also increasingly valuing the contributions…
Benjamin Abraham University of Western Sydney [Abstract] Introduction A recent spate of high profile cases of online abuse has raised awareness of the amount, volume and regularity of abuse and hate speech that women and minorities routinely attract online. These range from the responses garnered by Anita Sarkeesian’s (2012; 2014) video series ‘Tropes vs. Women…
Stephen Monteiro The American University of Paris [Abstract] Navigation and mobility are defining characteristics of the contemporary media experience. Unlike the rigid, easily learned parameters of earlier media forms, global digital networks offer increasingly complex and constantly changing exchanges, formations, and compilations of information. Through a combination of hardware design and integrated software a range…
Teodor Mitew University of Wollongong [Abstract] Heteroclite I: Hermes, a walking statue In a fragment of a comedy by Plato Comicus, a statue of Hermes stumbles onstage and must answer the skeptic’s question: ‘Who are you? Tell me at once. Why are you silent? Won’t you speak?’ To which the statue replies, ‘I am Hermes,…
Tama Leaver Curtin University [Abstract] Introduction During 2012, the Australian and international press frequently deployed the accusation of ‘trolling’ as part of a wider moral panic about supposedly anonymous online abuse facilitated by social media. The term trolling has been applied to a range of activities, many of which are simultaneously labelled abuse, (cyber)bullying and…