// archives

virtual

This tag is associated with 4 posts

FCJ-191 Mirroring the Videos of Anonymous: Cloud Activism, Living Networks, and Political Mimesis

By ⋅ December 17, 2015 ⋅ Post a comment

Adam Fish Lancaster University [Abstract] Introduction In August 2012, Wikileaks was hit with a massive Distributed Denial of Service (DDoS) attack from a mysterious group appropriately titled Antileaks. DDoS assaults occur when multiple computers simultaneously ‘refresh’ a website causing it to overload and shutdown. A shaken-up Wikileaks tweeted: ‘The range of IPs used is huge. Whoever is running it controls thousands of machines or is able to simulate them’ (Kerr, 2012). This is a constant problem for Wikileaks. Their website reads: ‘WikiLeaks is currently under heavy attack. In order to fully protect the CableGate archives, we ask you to mirror it again’ (Wikileaks.org). Eventually repelling the Antileaks attack, Wikileaks again took to Twitter to boast: ‘DDoS proof, financially & geographically diverse. We’re ready to rumble’ (Kerr, 2012). For Wikileaks, mirroring means copying and pasting the CableGate archives in resilient servers so that the content remains visible. Infamous for Guy Fawkes…

more..

FCJ-148 Affect and the Medium of Digital Data.

By ⋅ December 5, 2012 ⋅ Post a comment

Adam Nash. RMIT University, Melbourne. Figure 1: Screenshot from *Autoscopia* by Justin Clemens, Christopher Dodds, Adam Nash, 2009-present: generated portrait of Adam Nash.
Image and permissions provided by Adam Nash. Introduction This paper attempts a technical analysis of the medium of digital data to establish how affect may emerge in that medium. Two central questions here are, first, whether it is possible for two immanently digital entities to establish an affect cycle with each other, and, second, how this relates to affect cycles established between digital data and non-digital entities? It should be possible to build artworks that can test certain of their own intrinsic properties in both these respects. The author had a hand in creating some such artworks, and these are examined later in this paper. [1] The constant movement of data in a process of modulation, demodulation and remodulation is one of the defining characteristics of the digital…

more..

Issue 21: Exploring affect in interaction design, interaction-based art and digital art

By ⋅ December 5, 2012 ⋅ Post a comment

The notion of affect does take many forms, and you’re right to begin by emphasizing that. To get anywhere with the concept, you have to retain the manyness of its forms. It’s not something that can be reduced to one thing. Mainly, because it’s not a thing. It’s an event, or a dimension of every event. What interests me in the concept is that if you approach it respecting its variety, you are presented with a field of questioning, a problematic field, where the customary divisions that questions about subjectivity, becoming, or the political are usually couched in do not apply. (Massumi, Of Microperception and Micropolitics, 2009, p. 1) The aim of this special issue of the Fibreculture Journal is to address some of the contemporary challenges involved in working with affect across disciplines and practices that centre on the use of interactive- or digital technologies. The issue has a…

more..

FCJ-120 Other Ways Of Knowing: Embodied Investigations of the Unstable, Slippery and Incomplete

By ⋅ October 9, 2011 ⋅ 2 comments

Petra Gemeinboeck College of Fine Arts, University of New South Wales, Sydney Rob Saunders Faculty of Architecture, Design and Planning, University of Sydney ‘… unceasingly we are bombarded with pseudorealities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing. … However, I will reveal a secret to you: I like to build universes that do fall apart.’ —Philip K. Dick (1995: 262) One of the most curious characteristics of computing processes and the medium of the digital is that they evoke, reinforce, produce and nourish two disparate positions of understanding us and the world: the reductionist, generalised and objective; and, the situated, partial and multiple. The first looks at…

more..

—