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software history

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FCJ-181 There’s a History for That: Apps and Mundane Software as Commodity

Jeremy Wade Morris and Evan Elkins University of Wisconsin-Madison [Abstract] Introduction I Am Rich was first released in August 2008 in Apple’s iOS App store for $999 (Milian, 2008). The program’s only function, other than displaying an image of a jewel, was a self-congratulatory message that read ‘I am rich, I deserv it, I am good, healthy & successful [sic].’ It was reportedly purchased 8 times before Apple removed it from the store. I Am Rich could be read as clever commentary on conspicuous consumption (Veblen, 1965) in an era of digital and ephemeral goods or dismissed as a trivial piece of software – a novelty joke like an electric shock pen or a whoopee cushion (both of which, incidentally, you can also find as apps). However, these readings of the app’s limited functionality and ostentatious pricing miss a much larger story about the way apps have radically reconfigured the…

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Issue 25: Apps and Affect

Introduction [1] In William Gibson’s recent futurist novel The Peripheral, the planet has been devastated by a massive eco-techno-political catastrophe (‘the jackpot’) but remaining inhabitants are still able to enjoy the luxury of activating digital devices simply by tapping their tongues on the roof of their mouths. This touch is sufficient to set into play systems that communicate across space and time – enabling the establishment of connections back in time, for example, to people closer to our own present-day, for whom mobiles are still (somewhat) separate from the body. Thirty years ago, in his first novel Neuromancer, Gibson immortalised cyberspace with the account of what now sounds like an amazingly clunky process whereby the hero ‘jacks-in’ to virtual reality. But in The Peripheral the process of translation and transition into networks is streamlined – occluded, internal, intimate and implanted – right at the tip of the tongue. This issue…

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