Justin Clemens University of Melbourne Adam Nash RMIT University [Abstract] Everything is Digital Today, everything is digital and the digital is everything. Surely such a totalising, yet reductive, assertion can’t be right, even if we accepted that it had any sense? What about rocks and stones and trees? The great eighteenth-century literary critic Dr Johnson…
Justin Clemens University of Melbourne Adam Nash RMIT University [Abstract] Everything is Digital Today, everything is digital and the digital is everything. Surely such a totalising, yet reductive, assertion can’t be right, even if we accepted that it had any sense? What about rocks and stones and trees? The great eighteenth-century literary critic Dr Johnson…
Editorial: Possible worlds It is worth paying attention to images. Picture opening the pages of a neglected book and finding an image of some bland nineteenth century industrial dreamscape with a small black smudge in the bottom left corner. Clues to the future of the world can be found in this microcosm; a sooty mark…
https://fibreculturejournal.org https://fibreculturejournal.org/cfp-computingthecity CFP Computing the City_(PDF) Please note that for this issue, initial submissions should be abstracts only Issue Editors: Armin Beverungen and Florian Sprenger abstract deadline: 20 April, 2015 article deadline: 1 July, 2015 publication aimed for: early 2016 all contributors and editors must read the guidelines at: https://fibreculturejournal.org/policy-and-style/ before working with the Fibreculture…
I’m pleased to announce the launch of Issue 23 of The Fibreculture Journal edited by Andrew Murphie and including papers from: Ted Mitew: FCJ-168 Do objects dream of an internet of things? Stephen Monteiro: FCJ-169 Mapping Moving-Image Culture: Topographical Interface and YouTube Benjamin Abraham: FCJ-170 Challenging Hate Speech With Facebook Flarf: The Role of User…
Holger Pötzsch UiT Tromsø N. Katherine Hayles Duke University [Abstract] Holger Pötzsch: Katherine Hayles, your idea of posthumanism is inspired by cybernetics and by a new attentiveness to the body and materiality? N. Katherine Hayles: Posthumanism as I define it in my book How We Became Posthuman (1999) was in part about the deconstruction of…
Craig Norris University of Tasmania [Abstract] Introduction As various scholars (Jenkins, 2006a; Ito, 2007; Gray, 2010) have shown, fans can derive creative and emotional pleasure out of the ‘world building’ occurring in complex media franchises like Pirates of the Caribbean (Jenkins, 2007), and Star Wars (Brooker, 2002). Media industries are also increasingly valuing the contributions…
Benjamin Abraham University of Western Sydney [Abstract] Introduction A recent spate of high profile cases of online abuse has raised awareness of the amount, volume and regularity of abuse and hate speech that women and minorities routinely attract online. These range from the responses garnered by Anita Sarkeesian’s (2012; 2014) video series ‘Tropes vs. Women…
Stephen Monteiro The American University of Paris [Abstract] Navigation and mobility are defining characteristics of the contemporary media experience. Unlike the rigid, easily learned parameters of earlier media forms, global digital networks offer increasingly complex and constantly changing exchanges, formations, and compilations of information. Through a combination of hardware design and integrated software a range…
Teodor Mitew University of Wollongong [Abstract] Heteroclite I: Hermes, a walking statue In a fragment of a comedy by Plato Comicus, a statue of Hermes stumbles onstage and must answer the skeptic’s question: ‘Who are you? Tell me at once. Why are you silent? Won’t you speak?’ To which the statue replies, ‘I am Hermes,…