// author archive

FCJManager

FCJManager has written 278 posts for The Fibreculture Journal

FCJ-080 On Transmission: A Metamethodological Analysis (after Régis Debray)

Steven Maras Media and Communications, University of Sydney Enmeshed in technical, logistical and even militaristic concepts, transmission is frequently regarded as an inadequate way to think about communication: merely informational (for the one-way imparting of messages or signals only), or anti-social. This is not to suggest that all critics do this, but traces of a…

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FCJ-079 Regaining Weaver and Shannon

Gary Genosko Lakehead University, Thunder Bay, Canada My claim is that communication considered from the standpoint of how it is modeled must not only reckon with Claude E. Shannon and Warren Weaver but regain their pioneering efforts in new ways. I want to regain two neglected features. I signal these ends by simply reversing the…

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FCJ-078 Plastic Super Models: aesthetics, architecture and the model of emergence

Pia Ednie-Brown RMIT University, Melbourne SuperModels What does physical eroticism signify if not violation of the very being of its practitioners? …The whole business of eroticism is to destroy the self-contained character of the participators as they are in their normal lives. (George Bataille, 2001: 17) To become a supermodel is a dream of many…

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FCJ-077 Schizoanalysis as Metamodeling

Janell Watson Virginia Tech, USA Félix Guattari, writing both on his own and with philosopher Gilles Deleuze, developed the notion of schizoanalysis out of his frustration with what he saw as the shortcomings of Freudian and Lacanian psychoanalysis, namely the orientation toward neurosis, emphasis on language, and lack of socio-political engagement. Guattari was analyzed by…

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Issue 12 – Metamodels

Models, Metamodels and Contemporary Media The Fibreculture Journal and Open Humanities Press Issue 12 of the Fibreculture Journal marks the exciting event of the journal joining with Open Humanities Press. OHP is a major initiative in online publishing in the humanities, ‘an international open access publishing collective in critical and cultural theory’. Those of us…

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FCJ-076 Continuous Materiality: Through a Hierarchy of Computational Codes

Kenneth J. Knoespe and Jichen Zhu Georgia Institute of Technology Introduction The legacy of Cartesian dualism inherent in linguistic theory deeply influences current views on the relation between natural language, computer code, and the physical world. However, the oversimplified distinction between mind and body falls short of capturing the complex interaction between the material and…

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FCJ-075 The Past as the Future? Nostalgia and Retrogaming in Digital Culture

Jaakko Suominen University of Turku, Finland Introduction Retro games. Simultaneously with the console and computer games becoming increasingly impressive both visually and in their dramatics, the old, simple Super Mario Bros, Pacmans and Donkey Kongs have become hits. In the rush hour buses, teenagers roll their Rubik’s cube – the one and only. Sanna Leskinen,…

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FCJ-074 A Game of One’s Own: Towards a New Gendered Poetics of Digital Space

Tracy Fullerton, USC School of Cinematic Arts, Los Angeles Jacquelyn Ford Morie, USC Institute for Creative Technologies Celia Pearce, Georgia Institute of Technology, Atlanta Introduction Je suis l’espace où je suis I am the space where I am. -Noël Arnaud, L’Etat d’ebauche In the opening pages of her classic essay, A Room of Ones Own,…

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FCJ-073 Technology transfer present and futures in the electronic arts

Brian Degger, transitlab.org Newcastle upon Tyne, UK Introduction The intersection of art and technology is not new, yet the context and history of this interchange have largely been ignored, though it extends back hundreds, even thousands of years. For most of that time the arts exerted a strong influence on technological and scientific invention and…

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FCJ-072 Experience and abstraction: the arts and the logic of machines

Simon Penny University of California Irvine Introduction Much of my writing has grappled with issues which I find fundamental to the formation of art-practices which exploit the capabilities of emerging technologies (often but not always, involving real time digital computation) (Penny, 1995; 1997).[1] These theoretical inquiries arise out of pragmatic attempts to apply these technologies…

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