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FCJ-116 Media Ecologies and Imaginary Media: Transversal Expansions, Contractions, and Foldings
Jussi Parikka Anglia Ruskin University [Abstract] Just as capacities of thought, of being, are made in lived bodies, in complex and delicately conjoined tissues and processes, and just as powers are inherent in all matter, materialism also requires that the capacities of activity, thought, sensation, and affect possible to each composition whether organic or not are shaped by what it is, what it connects to, and the dimensions of relationality around it. (Fuller, 2005: 174) Now more than ever, nature cannot be separated from culture; in order to comprehend the interactions between ecosystems, the mechanosphere and the social and individual Universes of reference, we must learn to think ‘transversally.’ (Guattari, 2000:43). In addition to the realisation that theory should be seen as situated practice, we can also consider practice as theory. Practices are in themselves theoretical excavations into the world of ‘things’, objects of (cultural) research conducted in a manner…
FCJ-116 Media Ecologies and Imaginary Media: Transversal Expansions, Contractions, and Foldings
Jussi Parikka Anglia Ruskin University [Abstract] Just as capacities of thought, of being, are made in lived bodies, in complex and delicately conjoined tissues and processes, and just as powers are inherent in all matter, materialism also requires that the capacities of activity, thought, sensation, and affect possible to each composition whether organic or not are shaped by what it is, what it connects to, and the dimensions of relationality around it. (Fuller, 2005: 174) Now more than ever, nature cannot be separated from culture; in order to comprehend the interactions between ecosystems, the mechanosphere and the social and individual Universes of reference, we must learn to think ‘transversally.’ (Guattari, 2000:43). In addition to the realisation that theory should be seen as situated practice, we can also consider practice as theory. Practices are in themselves theoretical excavations into the world of ‘things’, objects of (cultural) research conducted in a manner…
FCJ-116 Media Ecologies and Imaginary Media: Transversal Expansions, Contractions, and Foldings
Jussi Parikka Anglia Ruskin University [Abstract] Just as capacities of thought, of being, are made in lived bodies, in complex and delicately conjoined tissues and processes, and just as powers are inherent in all matter, materialism also requires that the capacities of activity, thought, sensation, and affect possible to each composition whether organic or not are shaped by what it is, what it connects to, and the dimensions of relationality around it. (Fuller, 2005: 174) Now more than ever, nature cannot be separated from culture; in order to comprehend the interactions between ecosystems, the mechanosphere and the social and individual Universes of reference, we must learn to think ‘transversally.’ (Guattari, 2000:43). In addition to the realisation that theory should be seen as situated practice, we can also consider practice as theory. Practices are in themselves theoretical excavations into the world of ‘things’, objects of (cultural) research conducted in a manner…
FCJ-116 Media Ecologies and Imaginary Media: Transversal Expansions, Contractions, and Foldings
Jussi Parikka Anglia Ruskin University [Abstract] Just as capacities of thought, of being, are made in lived bodies, in complex and delicately conjoined tissues and processes, and just as powers are inherent in all matter, materialism also requires that the capacities of activity, thought, sensation, and affect possible to each composition whether organic or not are shaped by what it is, what it connects to, and the dimensions of relationality around it. (Fuller, 2005: 174) Now more than ever, nature cannot be separated from culture; in order to comprehend the interactions between ecosystems, the mechanosphere and the social and individual Universes of reference, we must learn to think ‘transversally.’ (Guattari, 2000:43). In addition to the realisation that theory should be seen as situated practice, we can also consider practice as theory. Practices are in themselves theoretical excavations into the world of ‘things’, objects of (cultural) research conducted in a manner…
FCJ-115 Autocreativity and Organisational Aesthetics in Art Platforms
Olga Goriunova London Metropolitan University [Abstract] Introduction Cultural production on the Internet has developed numerous dynamics and consistencies that drive considerations of creativity, organisation and the inter-relations of media. This article presents and briefly discusses the concept of an art platform, a particularly resonant form of such cultural production. The article enquires into the ways that powers of operation are constituted by particular kinds of social, technical, aesthetic and ethical forces. The media ecological approach to which this special issue is devoted can be seen as engaging with these forces. Such forces are discussed here via the concepts of autocreativity and organisational aesthetics. These concepts are in turn traversed and amplified by the particular qualities and potentials of art platforms.[1] The concepts offered in this article, in particular that of autocreativity, allow connections to be made between diverse approaches to creativity: ‘creative industries’ jargon and psychological endeavors, philosophical accounts of…
FCJ-114 Towards an Archaeology of Media Ecologies: ‘Media Ecology’, Political Subjectivation and Free Radios
Michael Goddard University Of Salford. [Abstract] Introduction While Matthew Fuller’s book entitled Media Ecologies has had a considerable impact on research into new media, digital art, alternative media and other spheres, it still remains relatively little-known in mainstream media studies and contains great potential for further development in relation to many fields of media research. Media Ecology is a term that has existed for some time at the peripheries of media studies and theories, and is notably associated with the celebrated media theorist Marshall McLuhan. There is, however, a certain perhaps necessary confusion around the deployment of the term ‘Media Ecologies’ in Fuller’s book, partly because of the differences in this deployment from the already existing field of research known as ‘Media Ecology’, a US-based post-McLuhan stream of media research of which the most well-known figure is undoubtedly Neil Postman. The following essay will therefore touch upon these differences, before…
Issue 17 – Unnatural Ecologies
This issue is an exercise in media ecology that is paradoxically unnatural. Instead of assuming a natural connection to the established tradition of Media Ecology in the Toronto-school fashion of Marshall McLuhan, Neil Postman, and the work of scholars involved in the Media Ecology Association (https://www.media-ecology.org/media_ecology/), our issue stems from another direction; its theoretical orientation is more inspired by the work of Felix Guattari and engages with several overlapping ecologies that are aesthetico-political in their nature. It stems from a more politically oriented way of understanding the various scales and layers through which media are articulated together with politics, capitalism and nature, in which processes of media and technology cannot be detached from subjectivation. In this context, media ecology is itself a vibrant sphere of dynamics and turbulences including on its technical level. Technology is not only a passive surface for the inscription of meanings and signification, but a material…
CFP- Special Issue of the Fibreculture Journal: Exploring affect in interaction design, interaction-based art and digital art
Guest Editors: Thomas Markussen and Jonas Fritsch https://fibreculturejournal.org/ abstract deadline: February 27, 2011 (200-300 words) article deadline: June 30, 2011 publication aimed for: October, 2011 all contributors and editors must read the guidelines at https://fibreculturejournal.org/policy-and-style/ before working with the Fibreculture Journal email correspondence for this issue: Thomas dot Markussen at aarch dot dk/ jonas dot fritsch at gmail dot com The notion of affect does take many forms, and you’re right to begin by emphasizing that. To get anywhere with the concept, you have to retain the manyness of its forms. It’s not something that can be reduced to one thing. Mainly, because it’s not a thing. It’s an event, or a dimension of every event. What interests me in the concept is that if you approach it respecting its variety, you are presented with a field of questioning, a problematic field, where the customary divisions that questions about subjectivity,…
CFP- Special Issue for the Fibreculture Journal: Networked utopias and speculative futures
Editors: Susan Ballard, Zita Joyce and Lizzie Muller https://fibreculturejournal.org/ abstract deadline: February 20, 2011 article deadline: May 30, 2011 publication aimed for: November, 2011 all contributors and editors must read the guidelines at; https://fibreculturejournal.org/policy-and-style/ before working with the Fibreculture Journal email correspondence for this issue: Susan dot Ballard at op dot ac dot nz lizzie at lizziemuller dot com zita dot joyce at canterbury dot ac dot nz Since most of history’s giant trees have already been cut down, a new Ark will have to be constructed out of the materials that a desperate humanity finds at hand in insurgent communities, pirate technologies, bootlegged media, rebel science and forgotten utopias. Mike Davis “Who Will Build an Ark: The Utopian Imperative in an Age of Catastrophe” in Telepolis [Germany], 12/11/2008 For many centuries the dawn of the new millennium –the year 2000– epitomised the future to come. The twentieth century raced…
Issue 16 – Counterplay
The star player is one who modifies expected mechanisms of channeling field-potential. The star plays against the rules but not by breaking them (Massumi 2002: 77). Unruly innovation is an intrinsic dimension of gaming. To claim that play is not a passive or neutral activity is hardly a groundbreaking observation. However, we believe that the contingent and transformative dynamics unleashed by games demand careful analysis. The fact that play exists in excess of any rules or parameters inevitably leads to controversies and disputes, along with processes of economic valorisation and the extraction of value beyond the shifting boundaries of a game. All of this requires critical discussion and debate. In this special issue, therefore, we have invited responses to the concept of counterplay. Referring to ludic or playful vitality in its most transformative expressions, counterplay speaks directly to the disruptive creation of the new through the reiterations of gaming. Greig…
Future Issues and Archives
Connections
- ARCDigital
- C-Theory
- Cntr History & New Media
- CoDE
- Computational Culture
- Cosmos and History
- Ctrl-Z
- Culture Machine
- Digital Culture and Ed…
- Digital Humanities Alliance
- Digital Studies
- Eludamos
- Film-Philosophy
- First Monday
- Future of the Book
- Hyperrhiz
- Inflexions
- Institute of Net Cultures
- Jrnal Digital Information
- Junctures
- nmediac
- Noema
- Open Humanities Alliance
- Open Humanities Press
- Parrhesia
- Public Library of Science
- Sarai
- Transformations
- Vague Terrain
