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This category contains 225 posts

FCJ-210 Falling Robots.

Lian Loke The University of Sydney [Abstract] Falling is not usually viewed as a desirable act for humanoid robots, as it can lead to damage and injury of people, things and the robot itself. This article explores how falling can be viewed as an aesthetic, creative, and indeed desirable act, through positioning it within the…


FCJ-209 Indigenous Knowledge Systems and Pattern Thinking: An Expanded Analysis of the First Indigenous Robotics Prototype Workshop

Angie Abdilla Robert Fitch The University of Sydney [Abstract] http://fibreculturejournal.org/AbdillaFitch.mp4 Introduction It could seem to some that Indigenous Knowledge is fundamentally at odds with the contemporary digital age, and with Western society’s thirst and demand for new knowledge to be constantly generated. Furthermore, it would also seem diametrically opposed to science-led ventures into the Brave…


FCJ-208 This Machine Could Bite: On the Role of Non-Benign Art Robots

Paul Granjon Cardiff School of Art and Design, Cardiff Metropolitan University [Abstract] This paper explores the phenomenon of social robots from the perspective of an electronic artist, a practitioner making robots and other machines within an artistic context. My art objects are vehicles for reflecting on the co-evolution of humans and machines, a reflection informed…


FCJ-207 Game On: A Creative Enquiry into Agency and the Nature of Cognition in Distributed Systems

Michaela Davies [Abstract] Introduction The focus of this paper is a participatory artwork, Game On, which is a boxing “game” where one participant can control the actions of another via electric muscle stimulation. [1] The paper explores Game On as a creative enquiry into agency and the nature of cognition in distributed systems. Game On…


FCJ-206 From Braitenberg’s Vehicles to Jansen’s Beach Animals: Towards an Ecological Approach to the Design of Non-Organic Intelligence

Maaike Bleeker Utrecht University [Abstract] For more than twenty years now, Dutch artist and engineer Theo Jansen has been invested in the development of new, non-organic species that he refers to as Strandbeesten, which in English translates to “beach animals”. His beach animals are creatures constructed from plastic conduit normally used to house electric cables,…


FCJ-205 Life and Labour of Rovers on Mars: Toward Post-Terrestrial Futures of Creative Robotics

Katarina Damjanov University of Western Australia [Abstract] Curiosity rises early; it is bitterly cold on Mars at around 5am when NASA’s Jet Propulsion Laboratory (JPL) wakes up the rover with a different popular tune each day (from Hit the Road Jack and Walking on Sunshine to the Beastie Boys’ Intergalactic and the Star Wars theme),…


FCJ-204 Degrees of Freedom

Elena Knox Waseda University. [Abstract] This paper critiques a choreographed performance of embodied agency by a ‘very humanlike’ (Ishiguro, 2006) gynoid robot. It draws on my experience at the Creative Robotics Lab, UNSW Australia, in 2013, with Actroid-F (or Geminoid-F), designed by ATR Hiroshi Ishiguro Laboratories [1], when I created six artworks making up Actroid…


FCJ-202 Simulated Wars, Virtual Engagements

Seimeng Lai University of New South Wales at Canberra Scott Sharpe University of New South Wales at Canberra [Abstract] Pixelated Camouflage The television personality, Richard Hammond, was offered a rare glimpse into the life of a tank operator in an episode of Richard Hammonds’ Crash Course, which featured him training on the U.S. Military’s Abrams…


FCJ-200 When Memes Go to War: Viral Propaganda in the 2014 Gaza-Israel Conflict

Chris Rodley University of Sydney [Abstract] You won’t believe what #Hamas was hiding in a mosque! Retweet if you are outraged! #IsraelUnderFire #HamasWarCrimes
(@IsraelUnderFire, 2014, August 1) In one of his best-known provocations, Jean Baudrillard (1995) declared that the Gulf War of 1991 did not take place. For Baudrillard, the idea of the war broadcast to…


FCJ-199 Modelling Systemic Racism: Mobilising the Dynamics of Race and Games in Everyday Racism

Robbie Fordyce University of Melbourne Timothy Neale University of Western Sydney Tom Apperley University of New South Wales [Abstract] Preface On the 15th of April, 1914, one Mr. Francis James Shaw, of 23 White Street, Melbourne, applied for, and was granted, a copyright for the White Australia Game. This boardgame was to be played by…


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